La Chatte au Miel was, between 2016 and 2018, an erotic-feminist project. It was about women, their "self-love", the female body, a positive and caring observation, as well as its sexuality.
“In a modern society where women are not always equal to men and where their sexuality remains a discredited subject, how does she make herself flourish? How does a woman make her voice heard, and how does she value herself?
This project highlights my feminist struggle as a claim to the nature of the body, the naked body, and its pure beauty. In a certain way, it is the artistic illustration of the individual independence of each woman in this Western society, or in another, with the will to value and love each woman and, of course, the feminism in Each of us, regardless of gender.
Feel proud of being a woman, defend her will to exist and practice her sexuality as she sees fit. Finally, I wish to defend, by my images, the total rejection of judgment, the illustration of what a free and fulfilled woman can be, separate from dictates and societal norms.
Because nudity is first, it is of divine essence. If one refers to Genesis before the "fault" God would have made man in his image. Now, the awareness of the nakedness of the body stems from disobedience to the divine order. There we see the birth of prohibitions, moral principles of reductive Jewish-Christian thought.”